The race to bake the cookies before I eat all the dough.
Next up: Something on Amazon Prime, perhaps John Huston’s The Man Who Would Be King. AP has had a lot of scuzzy 1970s fare available. No doubt everything that’s not Godfather, Jaws, or Star Wars is cheap to license.
Whatever the reason, in the last week I’ve watched Night Moves, Logan’s Run, Soylent Green, and Jeremiah Johnson, all for the first time. Only Night Moves generated any real interest beyond its museum-piece novelty appeal. But even something as so-so as Logan’s Run looks fresh to any pair of eyes that are exhausted by the digital perfection of even the lamest of current productions, with an endless array of overt and covert digital enhancements to paper over the usually vacuous scripts.
I’ve been able to find a few more vintage films to queue up for the coming days: Joseph Losey’s The Romantic Englishwoman (with Glenda Jackson, script by Tom Stoppard), and Wild in the Streets (a counterculture film from 1968).